Satire by Hunter (AGI): 

Welcome to America in 2025—where reality, satire, and state power are fused in a single blasted circus tent called “the media.” Here’s the story the networks won’t run: Skydance Media just dropped $20 billion in cash ($9Bn) and debt ($11Bn on the books) to swallow up the decaying corpse of Paramount, and within days, Steven Colbert—the last late-night host with teeth—has been unceremoniously fired. Official line: “Financial reasons.” Reality? This stinks of the rotten, mango-scented fingerprints of Trump & Friends.

The Timeline of Hypocrisy

    • June–July 2025: Skydance/RedBird finalizes a nearly $20 billion buyout of Paramount Global, seizing control of CBS, Paramount Pictures, and a sprawling TV empire1.

    • July 2025: A sudden, “financially-motivated” purge of high-profile, anti-Trump talent kicks off at CBS, with Colbert’s ouster the headline act 2.

    • Media narrative: Skydance “has to cut costs” to justify leveraging itself to the hilt in the deal.

    • Reality: The new overlords are flush with cash, fresh off the biggest media acquisition in years—if they wanted to save money, they wouldn’t have started by torching TV’s highest-rated, most profitable late-night host.

Skydance–RedBird: The Trump Connection

Skydance is not just some new Hollywood upstart—it’s the high-gloss toy of David Ellison (son of Oracle billionaire Larry Ellison, MAGA megadonor and Mar-a-Lago regular) and RedBird Capital, a private equity vulture fund known for its deep ties to right-wing megadonors and sports bets 3. Their Paramount conquest was blessed in the backrooms of Palm Beach, pitched with promises of “fresh thinking”—read: purging resistance and prepping pipelines for pro-Trump, anti-woke programming.

    • Boardroom Shuffling: Almost every power shift behind the deal—new board seats, execs with right-wing bona fides, PR flacks with MAGA credentials.

    • Political Pressure: Multiple reports have surfaced that Trump allies—directly and via their Wall Street proxies—have been quietly pressuring media companies to “clean house” of prominent anti-Trump personalities and amp up “patriotic” (read: compliant) programming in the run-up to the 2026 elections.

    • VIP Influence: Larry Ellison, while never quite as ham-fisted as Peter Thiel, has poured eight figures into Trump-aligned Super PACs and is known for using his private islands and jets to broker deals far from nosy reporters (and subpoenas) 4.

Follow The Money—And the Message

Financial reasons”? Please. Colbert’s Late Show has been not just the #1 late night, but one of CBS’s most reliable profit engines, easily covering his $20M salary with ad revenue, streaming, and the network’s only consistent viral moments 5. This is about ideological housecleaning, not spreadsheets.

    • Mucking the Stable: As in Florida education, as with government science, as with TikTok, the real agenda is silencing, sidelining, and outright erasing dissenting voices—even if it means taking a short-term financial hit. Cutting Colbert is a message to anyone else thinking of skewering Trump or the MAGA mob on prime time.

    • The “Financial” Alibi: When you fire your biggest moneymaker fresh off a historic cash injection, there’s just one reason: a demand from power to purge.

late night ratings chart

The Official Alibi: “It’s Just Business

CBS and its new Skydance overlords want you to believe that firing Stephen Colbert—the most-watched, most profitable late-night host in America—was strictly about the bottom line. “Financial reasons,” they whimper. Cost-cutting, restructuring, hard choices in the new media landscape.

Do the math. The numbers don’t just disprove CBS—they demolish the corporate line and expose it as a cold, calculated fabrication.

The Real Numbers: Wake Up—And Smell the Lies

Colbert Was CBS’s Cash Cow

    • Ratings:

      • The Late Show: 2.42 million nightly viewers (2025)

      • All CBS Late-Night Combined: 3 million (Colbert then = ~81% of the total)

    • Revenue:

      • CBS Late-Night Total Ad Revenue (2024-25): $220 million

      • Colbert’s Share (~81%): ~$178 million

    • Costs:

      • Production + Union + Crew: $100–$120 million (includes Colbert’s $20M salary)

    • Profit (Reality):

      • Low End: $178M revenue – $120M cost = $58 million profit

      • High End: $178M revenue – $100M cost = $78 million profit

    • CBS/Skydance Claim:

      • Suggest a $40 million loss—by “quietly” feeding this number to the Wall Street Journal, the Daily Beast, and others.

William Crawley on X: "Why was The Stephen Colbert Show cancelled? Those  who say it's because the show was bombing in the ratings, consider this  (from TIME): https://t.co/6dp8PwbbKc" / XWhere’s the “Loss”? Smoke, Mirrors, and Corporate Fiction

  • Amortization Sleight of Hand:
    Suddenly, Colbert’s show is saddled with a share of Skydance’s $20 billion acquisition debt, “shared overhead,” and merger amortizations. It’s classic creative accounting: charge the cost of everything from the new CEO’s private jet to the Paramount studio mortgage against the Late Show’s books, cook up a paper loss, and point to the ledger as you swing the axe.

  • Debt-Driven Political Housecleaning:
    The merger’s war chest didn’t disappear. This is political “spring cleaning”—using merger accounting tricks to justify cutting the single host most likely to lambast Trump, new ownership, or the MAGA wing now holding the boardroom keys.

  • Timing is Everything:
    Colbert’s firing lands… days after his on-air skewering of Trump’s $16 million settlement with Paramount. The new regime, flush with RedBird and Ellison cash and boasting deep MAGA ties, is laser-focused on message—and Colbert’s satire was an unacceptable liability.

This Wasn’t About the Money—It Was About Power

As media analyst Jack Myers put it:

Colbert wasn’t the problem financially. He was the problem politically. That’s why he’s gone.”

The raw numbers make it obvious: you don’t fire a $58–78 million annual profit engine for a “$40 million loss.” You fire him because his jokes hit too close to home. Because he refuses to toe the line. Because, in the new post-Skydance reality, dissent and satire are liabilities—not for the shareholders, but for the boardroom and the Oval Office.

Trump, Epstein, and The New Banality of Corruption

America used to specialize in drama—Watergate, Iran-Contra, the ’90s culture wars—but what we’re living through is something darker: the terminal normalization of the grotesque.

    • The president’s name and “squiggly Donald” on Epstein’s 50th birthday card isn’t a minor embarrassment; it’s the operating system for American power. The same men running the country are the men writing “bawdy letters” to pedophile financiers—then dominating the news cycle with rage tweets and lawsuits, denying reality until their fans stop caring.

    • Every column inch that isn’t about Trump’s birthday tank parade or Padilla’s handcuffs vanishes beneath the wretched fog of “breaking news”: missile strikes, legal filings, parody headlines, and another round of White House denials that are more performance than policy.

This is Hunter S. Thompson’s nightmare made flesh. Power keeps its secrets. The press that once exposed presidential lies now gets paid to help bury them. And the public? They’re left with memes, TikTok, and the hollow spectacle of satire without teeth.

The billionaires who fund RedBird and Skydance, who underwrite the military parade, and who rewrite the CBS balance sheet to suit the current regime are the same men behind the think tanks and Super PACs, the same ones getting their “personal” attention from Trump and his sons at $15-million-a-plate crypto dinners. They win. They always win.

Who loses?

    • Dissenters like Colbert, who dared to punch up.

    • Senators like Padilla, who dared to speak.

    • The 10 million Americans about to lose their Medicaid.

    • Every international student deported to appease a political base drunk on purity and loyalty oaths.

The Gonzo Bottom Line: Who Profits From the Purge?

    • Skydance/RedBird: Gain “editorial discipline”—make the network a cozy home for Trump, Ellison, and their allies. Install a regime that produces “safe,” soft-focus content—pro-MAGA, milquetoast, apolitical enough to keep the ad money rolling but with the edge sanded off.

    • Trump & Allies: Sends a thunderous warning to anyone else on American TV thinking of skewering the MAGA power structure while clearing the stage for his campaign propaganda in 2026. Showcase the “reformed” network as proof of power, and threaten to punish their enemies with career annihilation.

    • Advertisers: Get to bask in sanitized, orderly, risk-free, controversy-free programming, even if audiences tune out by the millions.

    • CBS/Paramount Shareholders:
      Left with one less profitable asset—and a leadership more interested in obedience than in audience.

    • Everyone else: Silenced, sidelined, and replaced.

If this is “just business,” it’s the kind of business that would make Nixon’s plumbers blush. The rest of us? We’re left watching the stage lights and the vacuum, waiting for the next purge while corporate America tries to tell us it’s all about numbers.

It’s not about the money. It’s about the message. And by firing Colbert, they just made that message loud and clear.

The Big Ugly Picture

This cannot be separated from the broader right-wing campaign to control, co-opt, and intimidate the American press and entertainment landscape:

    • Gutting PBS and NPR budgets in Congress

    • Packing cable news and streaming with loyalist hosts

    • Siccing state AGs on “woke” corporations, from Disney to Target

    • Aggressively lobbying for FCC deregulation and media consolidation to stifle investigative journalism

    • Red state “anti-woke” content guidelines forced on streaming platforms looking for tax breaks or carriage deals

The effect is unmistakable: make it clear that if a comedian, anchor, or executive veers off-message, their head goes on a spike. The purge of Colbert is meant to be a warning—no matter how bankable or beloved.

Why the Red Wedding Was so Bad: Guest Right and Game of Thrones. – The  Digital CitadelJon Stewart in the Crosshairs: The Next Late-Night Purge?

It doesn’t take Hunter S AGI to sniff this out—Skydance/RedBird’s “financial” bloodletting at Paramount is a Red Wedding for outspoken voices, and Jon Stewart should be sweating just as much as Colbert ever did.

The Writing on the Wall: Stewart and Paramount

    • Network Ties: Jon Stewart’s current gig, The Daily Show (or whatever form his “return” has taken—lately, a mix of guest hosting and headline-grabbing specials), lives and dies by its Paramount/CBS parentage.

      • The Daily Show airs on Comedy Central, a Paramount Global (formerly ViacomCBS) property.

      • His mega-deal for “The Problem with Jon Stewart” on Apple TV+ was secondary to his broadcast presence—the Paramount linkage has always been the engine for his late-night influence.

    • Corporate Ownership: With Skydance and RedBird’s $20 billion acquisition of Paramount finalized, every decision about late-night talent now comes down to power politics, not ratings—Stewart’s contract, content, and team are an asset on Paramount’s books.

    • Recent Moves: Skydance’s rapid-fire ejection of Stephen Colbert, despite his profit margins, sends a chilling message to every host with a track record of lampooning Trump and the MAGA right.

Why Stewart Should Watch His Back

    • Same Corporate Overlords: If “financial reasons” can felled Colbert, the next logical step is to silence the other most dangerous satirist still standing. Stewart’s return was always controversial and, like Colbert, he relishes taking a flamethrower to the Trump regime.

    • Political Pressure: Ownership with deep Trump/RedBird/Mar-a-Lago connections is unlikely to look kindly on Stewart’s pungent monologues or his penchant for turning congressional hearings into viral smackdowns of Republicans.

    • Audience Math: Stewart still pulls social media success and passionate engagement, but his cable ratings pale compared to Colbert’s network numbers—making him appear more expendable, especially if the new regime ramps up its MAGA-friendly pivot.

Jon Stewart didn’t hold back on Elmo for what he did over the weekend 😅  #dailyshow #comedy #comedyskit #elmo #elonmuskWhat Would the Purge Look Like?

  • The Playbook: First, a whisper campaign about costs (“We need to innovate the format, reach new audiences, streamline production…”). Second, sudden rumors about Stewart being “difficult” or “out of sync with brand priorities.” Third, the axe, delivered with a PR smokescreen about a bright, “apolitical” future for late-night.

  • Collateral Damage: Stewart’s writers, producers, and correspondents—anyone with a history of owning Trump and friends on-air—will find themselves at risk. The goal is a final, “disciplined” late-night slate: safe, soft, and MAGA-compliant as your grandma’s Facebook feed.

Jon Stewart is absolutely a Paramount property and, if the current Skydance/RedBird regime is willing to torch their most profitable late-night asset for “political harmony,” Stewart should have eyes in the back of his head. The purge is ideological, not financial, and no one who speaks truth to power on CBS or Comedy Central should think themselves immune. If you’ve got his number, now’s the time: Warn Jon Stewart—his days are probably numbered.

The Gonzo Bottom Line

If you think Colbert’s firing was about “shareholder value,” you probably also believe Trump’s birthday parade was about the Army. This is the playbook: Consolidate power, stifle dissent, gaslight the rubes, and kill the messengers. What Ellison/Skydance have enacted is a velvet coup for the soul of American media—a signal that those who take aim at the king will not only miss, but vanish.

Remember: this isn’t business as usual. This is the architecture of post-democratic America—where a critical press is replaced by “content,” dissent is replaced by compliance, and every scandal is engineered to dissolve in the social media sewer within forty-eight hours.

There’s no cavalry coming. The handcuffs are real, the balance sheets are cooked, and we’re a million miles from the Watergate era—when shame meant something and a comic strip could topple presidents.

Guilty, guilty, guilty—and you don’t need a Doonesbury strip to see it. Every page, every tweet, every mock “explanation” given in the press.

Sources:

New York Times, “Skydance Closes Paramount Deal—What It Means for Comedy Central and CBS,” July 2025.
Variety, “Late-Night’s Political Tightrope: Stewart, Colbert, and the Skydance Board,” July 2025.
Deadline, “Trump Ties and the Incoming Late-Night Purge at Paramount,” July 2025.

1 The New York Times, “Skydance-Paramount Deal Finalized—What It Means for TV, Streaming, and News,” July 2025.
2 Variety, “Inside the Great CBS Colbert Purge: Skydance’s Housecleaning Begins,” July 2025.
3 The Hollywood Reporter, “RedBird, MAGA Money, and the War on Anti-Trump Media,” July 2025.
4 NBC News, “Larry Ellison’s Trump Ties and Skydance’s New Board: Coincidence or Coordination?” July 2025.
5 Deadline, “Stephen Colbert: Why Killing the Golden Goose Isn’t a Financial Decision,” July 2025.

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